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Hurting Enough and Losing Touch

domingo, 18 de octubre de 2015

Hurting Enough and Losing Touch

From Vikram Seth's An Equal Music (I.11):

When I was being considered for the Maggiore Quartet, Helen asked me how Julia was. They knew each other because our trio and their quartet—both recently formed—had met at the summer programmes in Banff in the Canadian Rockies.
    I said that we'd lost touch.
    "Oh, what a pity," said Helen, "And how's Maria? Marvellous cellist! I thought the three of you played awfully well together. You belonged together."
    "Maria's fine, I think. She's still in Vienna."
    "I do feel it's a pity when one loses touch with friends," babbled Helen sympathetically. "I had a school-friend once. He was in the class above me. I adored him. He wanted to be, of all things, a dentist. . .  Oh, it's not a sensitive subject, is it?"
    "No, not at all. But perhaps we should get on with the rehearsal. I've got to be somewhere at five-thirty."
    "Of course. You told me that you were in a hurry, and here I am, nattering on. Silly me."
    To lose touch — an hearing and smell and taste and sight. Not a week passes when I don't think of her. This after ten years, too persistent a trace in the memory.


Día de lluvia 35 años después


En el Rhetorical Theory eJournal

domingo, 18 de octubre de 2015

En el Rhetorical Theory eJournal

En el Rhetorical Theory eJournal

John Cleveland

John Cleveland


From The Oxford Companion to English Literature, ed. Margaret Drabble.

CLEVELAND, John (1613-58). *Cavalier poet, born in Loughborough, the son of a clergyman, and educated at Cambridge. He joined the king's camp in Oxford during the Civil War as an active Royalist; he wrote there one of his best known satires, 'The Rebel Scot', which contains the couplet commended by Dr. *Johnson, 'Had Cain been Scot, God would have changed his doom / Not forced him wander, but confined him home.' Although criticized during his life as an academic and coterie poet, his works were highly popular, and 25 editions (none, apparently, with his supervision) appeared between 1647 and 1700. *Dryden's opinion of him as one 'who gives us common thoughts in abstruse words' eventually prevailed, but the 20th cent. revival of interest in the *metaphysicals and in political satire has led to more serious consideration. An edition by B. Morris and E. Withington appeared in 1967.




Carew and the Cavaliers

'MEDEA' de Eurípides

domingo, 11 de octubre de 2015

'MEDEA' de Eurípides

 






Rhetorical Identity and Identification

Rhetorical Identity and Identification

10 Oct. 2015


Dear Jose Angel Garcia Landa:

Your paper, "ACCIÓN, RELATO, DISCURSO: ESTRUCTURA DE LA FICCIÓN NARRATIVA (ACTION, STORY, DISCOURSE: THE STRUCTURE OF NARRATIVE FICTION)", was recently listed on SSRN's Top Ten download list for: RCRN: Rhetorical Identity & Identification (Topic).

As of 10 October 2015, your paper has been downloaded 91 times. You may view the abstract and download statistics at: http://ssrn.com/abstract=2480262.

Top Ten Lists are updated on a daily basis. Click the following link(s) to view the Top Ten list for:

RCRN: Rhetorical Identity & Identification (Topic) Top Ten.

Click the following link(s) to view all the papers in:

RCRN: Rhetorical Identity & Identification (Topic) All Papers.

(Actually, this paper doesn't show up as there's another one with the same number of downloads in no. 10. But I've got another one in the top ten:)

Rhetorical Identity and Identification

York Mystery Play "Crucifixion"

viernes, 9 de octubre de 2015

York Mystery Play "Crucifixion"

 





Andrew Marvell - To His Coy Mistress

Andrew Marvell - To His Coy Mistress

 




Sophocles Oedipus Rex 1957

miércoles, 7 de octubre de 2015

Sophocles Oedipus Rex 1957