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Conceptos básicos de narratología

 

Conceptos básicos de narratología (Samuel Beckett y la narración reflexiva, 1)
http://ssrn.com/abstract=2422327


cuadrado mágico

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Del libro de José Angel García Landa, Samuel Beckett y la narración reflexiva (Zaragoza: Prensas Universitarias de Zaragoza, 1992)

Este trabajo presenta de modo sucinto una introducción a la narratología estructuralista clásica, que seguidamente se aplica al estudio de la narrativa experimental de Beckett en el libro "Samuel Beckett y la narración reflexiva". Se presentan los conceptos básicos de la estructura narrativa (tiempo, aspecto, voz, status, modo) definidos en relación a la estructura comunicativa de la ficción narrativa.

English Abstract: Basic Concepts of Narratology

This paper presents a brief overview of the main notions of classical structuralist narratology, which will be applied to the study of Beckett’s experimental narrative in the book "Samuel Beckett and Reflexive Narrative". The basic concepts of narrative structure (tense, aspect, voice, status and mood) are defined with respect to the communicative structure of narrative fiction.

Note: Downloadable document is in Spanish.

Number of Pages in PDF File: 7

Keywords: Literary theory, Discourse analysis, Stylistics, Narratology, Narrative structure, Narrative voice, Narrative mood, Narrative theory, Narrative fiction, Novel, Communication, Semiotics


También en:

Academia  (2015).*

         https://www.academia.edu/11285557/
ResearchGate 24 July 2015.*
         https://www.researchgate.net/publication/280314828




 

 

Introducción a Samuel Beckett y la narración reflexiva




Panorámica de los panoramas

viernes, 27 de febrero de 2015

Panorámica de los panoramas

O: el panóptico en panóptico.

He estado en la tercera de las interesantísimas conferencias de Agustín Sánchez Vidal, "Genealogías de la mirada", sobre tecnología, perspectiva y artes visuales en la modernidad temprana. Aquí puede verse una panorámica del ciclo. La anterior conferencia iba sobre el mundo nuevo, los dioramas y otros artilugios de falsa perspectiva antes del cine; la conferencia de hoy iba sobre los panoramas, en el sentido original del término, por ejemplo el colosal globo de Wyld en Leicester Square.  Los panoramas como espectáculo de masas precedieron a los cines, y se extinguieron como los dinosaurios. Aunque alguno queda traspapelado.


great globe




Los panoramas los ha asociado Sánchez Vidal no sólo al desarrollo de la tecnología visual y de la arquitectura moderna (de vigas de acero, cristal, etc.) sino también al imperialismo y al deseo de obtener una visión global sobre el mundo y los imperios desde una alta perspectiva dominante. Una topsight a la vez literal y metafórica, vamos.  (Sobre esta cuestión de la perspectiva dominante o topsight he escrito diversas cosas, pero para qué andarse con chiquitas, vayamos directamente a esta que habla de total topsight).  También ha salido a colación, cómo no, el panóptico de Bentham, ese arquetipo de la visibilidad racional convertida en pesadilla totalitaria.

A mí me sugerían estas imágenes panorámicas y estas tecnologías el punto de vista que otro desarrollo paralelo a esta tecnología de los panoramas es la compleja escenografía teatral del XVIII y del XIX, y su afición por la magnificencia y las falsas perspectivas ilusionistas, con transición entre la realidad y la pintura.  Por ejemplo puede leerse aquí sobre el tipo de escenografía propuesta por Henry Irving y Beerbohm Tree en la segunda mitad del XIX.

 Es una cuestión ésta que viene de más lejos, claro, como puede verse en los diseños escénicos de las mascaradas y de las primeras óperas en el siglo XVIII. Aquí se ve una versión modernizada, en homenaje a ese tipo de escenografía, en Dido y Eneas de Purcell, por Le Poème Harmonique.


Ha mencionado Sánchez Vidal, como analogía más reciente de estas cuestiones, Google Street View. Y en una pregunta-comentario al final de la confrencia he redundado en ello, especulando que esta tecnología del parorama cada vez más inclusivo ha ido a derivar hacia el tratamiento informático de la visión, y la globalización de la Red. Google Earth, Google Maps, y Google en general son a la vez el espectáculo del panorama global, a tamaño mundial, y con la información centralizada a escala planetaria, combinando satélites, ordenadores, e fotografía e información geolocalizada. Google Maps o Google Earth son el panorama final, en el que convergen no sólo las imágenes sino todo tipo de información—texto, comentario, interacción de los espectadores...  Y Google en su conjunto (o Google como metonimia de Internet) es el gran Ojo Panóptico de la información mundial—en imágenes, en vídeo, en texto y en mapa del planeta, a regular Googlebot indeed, striding the world like a Colossus.

Google es un panóptico, pero también un panorama ilusionista o panóptico invertido—nos da la ilusión de ver, a veces muy vívida y hasta real, qué duda cabe—pero nos oculta el reverso de esa información recibida, que es la que enviamos nosotros. A Google le pagamos en datos, decía hoy Ana Gascón en su conferencia sobre protección de datos en el congreso de Japón y el Individuo. Creemos que vemos "con" Google, pero Google nos ve a nosotros de una manera mucho más eficaz (como el Gran Hermano, vuelto a invertir y reconvertido de espectáculo panóptico para masas al espía dentro de casa—delante de ti, hypocrite lecteur).

Podría servir perfectamente como emblema de Google Earth como Panorama Panóptico Universal, o del Google Eye que nos observa y nos espera, la imagen de Odilon Redon elegida por Sánchez Vidal para ilustrar la conferencia de hoy, "Ojo globo":

ojo globo


 
Otra línea de reflexión apuntada por Sánchez Vidal en la conferencia de hoy, y que nos lleva a la Perspectiva Total por otra vía.

Ha mencionado la teoría de la evolución de Darwin como una teoría en cierto modo también panóptica, proporcionando un nuevo paradigma totalizador, y a la vez asociada al desarrollo imperial de la visión global—posibilitada tanto por el viaje cartográfico y de reconocimiento del Beagle, como por la centralización de especímenes biológicos en el invernadero de Kew Gardens—otro edificio por cierto de acero y cristal, que prefigura toda la arquitectura moderna ya a mediados del XIX.

Bien, pues podemos añadir que la teoría de la evolución tal como la formulan Darwin, Spencer y sus contemporáneos, y también tal como la formulan los actuales proponentes de la Big History, del evolucionismo cosmológico, sirve como un punto de vista global que unifica espacio y tiempo. Junta todos los espacios y ordena todos los tiempos en un proceso unificado global, perceptible y comprensible desde la topsight del pensador evolucionista, una atalaya perspectivística que ofrece un panorama panóptico sobre la realidad—sobre todos los objetos reales y sus historias y génesis, y también sobre todos los objetos imaginarios que han generado las ideologías y sueños de la razón de los hombres.

Es una gran perspectiva narrativa, la historia de todo, a la que estamos anclados—lo queramos o no, lo sepamos o no.



El Fin del Olvido y la Visibilidad Universal 
 


Ser o estar, ésa es la cuestión

viernes, 27 de febrero de 2015

Ser o estar, ésa es la cuestión

Annotations on V. N. Voloshinov's 'Marxism and the Philosophy of Language'

miércoles, 25 de febrero de 2015

 

A)

 
Abstract:     

Critical annotations on V. N. Voloshinov’s study "Marxism and the Philosophy of Language" (1929), on topics such as reflexion vs. refraction, consciousness and signs, language and ideology, Saussurean structuralism, verbal interaction, and theme vs. meaning.




Also in

- Net Sight de José Angel García Landa

Academia 



B) Notes from some chapters of the book (taken in 1988)



1. The Study of Ideologies and Philosophy of Language

The Marxist theory of ideologies is bound up with problems of the philosophy of language. Everything ideological is a sign; "Without signs there is no ideology." Physical bodies may be converted into signs and thus they become ideological products: they reflect and refract another reality. The world of signs vs. the world of natural phenomena. 

11- "Every ideological sign is not only a reflection, a shadow of reality, but is also itself a material segment of that very reality." This is a fact neglected by idealism and by psychologism.  "Consciousness itself can arise and become a viable fact only in the material embodiment of signs." Consciousness as a semiotic process: translating a sign into another one: "And nowhere is there a break in the chain, nowhere does the chain plunge into inner being, nonmaterial in nature and unembodied in signs."  This chain emerges in interaction between individuals: consciousness is social. Ideology cannot be studied as individual consciousness (idealism seeks supernatural causes; psychologism seeks subhuman ones: both disregard human society).

12- "The individual consciousness is a social-ideological fact."  Consciousness cannot be derived directly from nature, nor ideology from consciousness. [Cf. Croce’s notion of intuition as expression—JAGL].

13- "The study of ideologies does not depend on psychology to any extent and need not be grounded in it." The reality of social signs is directly determined by the total aggregate of social and economic laws. "Ideological reality is the immediate superstructure over the economic basis"—and it is not constructed by individual consciousness, who is only a tenant in the edifice. Ideological phenomena are linked rather with conditions and forms of social communication. E. g. language: "The word is the ideological phenomenon par excellence"— the entire reality of the word is absorbed in its function of being a sign; it reveals best the basic forms of semiology. [Cf. Saussure]. The word is a natural sign, not specialised in any ideological function.  But conversational language is an area of behavioral ideology.

14- The word also becomes "the semiotic material of inner life-consciousness (inner speech)." The material is pliable and accessible to the individual.

15- That is why "the word functions as an essential ingredient accompanying all ideological creativity whatsoever" (although none of the fundamental, specific ideological signs is wholly replaceable by words). The word influences any other ideological refraction. The word is the fundamental object of the Marxist study of ideologies.


2. Concerning the relationship of the Basis and Superstructures

Mechanical causality is inadmissible in the study of ideologies. No connection between isolated facts in the basis and ideological superstructures is valid—the fact torn from its ideological context [i.e. its structural relationships, cf. the Saussurean notion of structure—JAGL] is meaningless. The "dialectical generation of society (...) emerges from the basis and comes to completion in the superstructures." E.g., new characters appear in a novel not because of some social change, but because that social change has changed the structure of literature, of "the whole novel, as a single organic unity subject to its own specific laws." The word is the most sensitive index of social changes due to its ubiquity (—even of those not yet defined).

Plexanov’s "social psychology" is in fact the process of verbal communication and interaction. There is nothing inner in it. Production relations determine the forms of verbal communication. There is a need for a typology of material forms of expression, in order to understand how ideologies arise, in different periods and social groups, and which themes arise.

21- Form: "the forms of signs are conditioned above all by the social organization of the participants involved and also by the immediate conditions of their interaction." But the contents of signs are also shaped by social interaction.

22- "Only that which has acquired social value can enter the world of ideology, take shape, and establish itself there." The themes, and also the "individual" accents of consciousness, are also interindividual.

23- "Existence reflected in signs is not merely reflected but refracted. How is this refraction of exixtence in the ideological sign determined? By an intersecting of differently oriented social interests within one and the same sign community, i. e. by the class struggle.  Social multiaccentuality preserves the dynamic force of signs. There are also "dead" signs, withdrawn from the arena of ideological confrontation. The inner dialectic quality of the sign appears clearly in times of social crisis.



PART II

1. Two Trends of thought in Philosophy of Language

—i.e. individualistic subjectivism vs. abstract objectivism.

The actual mode of existence of language is a problem—vs. superficial phonetic empiricism, etc.: language is not the sum of two different psychophysiological processes (in individual speaker and hearer). It must be studied in social intercourse (in social milieux and immediate social events of communication). There are two basic trends in the philosophy of language respecting the identification and delimitation of language as an object of study.

Individualistic subjectivism considers the act of speech, individual and creative, as the basis of language (and likewise of art). Language is conceived as energeia;  the laws of its creativity are the laws of individual psychology. Language as system (ergon) is the hardened lava of individual creativity.

- This conception goes from Humboldt to Potebnja [Voloshinov does not mention Vico in this respect.] Steinthal too, in a more limited way. Wundt is similar, but in the language of positivism. in the final analysis, all the explanations of myth, language and religion are psychological.

- Vossler—positivistic again—rejects sticking to form and foregrounds meaningful ideological factors. But he rejects social and political facts to a "linguistic taste." The basic reality of language here is not a system but the individual creative act of speech (Sprache als Rede).

51- "everything that becomes a fact of grammar had once been a fact of style"; there is a "Precedence of style over grammar." Studies are on the border between linguistics and stylistics.

- Croce: language as expression; it is individual.

Abstract objectivism. For this trend, the specific object of the science of language is not speech acts but (52) "the linguistic system as a system of the phonetic, grammatical and lexical forms of language." The acts are idiosyncratic, but the system ensures unity and comprehension. There is a normative identity, vs. the individual variation. The system is acquired ready-made by the individual. The individual act becomes a linguistic act only because of the compliance with the system. The system has an immanent and specific nature, not reducible to any other set of laws.

54- "This specifically linguistic systematicity, in distinction from the systematicity of ideology (...) cannot become a motive for the individual consciousness."  It is not a matter of "taste", but of arbitrary correctness. This trend assumes a discontinuity between the history of language and the system of language.

Here it is at odds with the first trend; for abstract objectivists, history and language change are irrational, while the system is coherent. For individualistic subjectivists, it was the generation of language (a historical process) which ensured its reality. In Vossler,

56- "linguistic taste creates the unity of a language at any given moment in time; and it is the same linguistic taste that creates and secures the unity of a language’s historical evolution."

The transition from one form to another is unconscious for abstract objectivists, deliberate for individualist subjectivists; the system is the essence of language for abstract objectivists, and it is dross for individualist subjectivists. The principles of these trends are antithetical.

The roots of abstract objectivism go back to Descartes and rationalism. The interest lies not in the relation between sign and reality, but in the relation of sign to sign in the system—the inner logic of the system.

58- "Rationalists are not averse to taking the understander’s viewpoint into account, but are least of all inclined to consider that of the speaker, as the subject expressing his own inner life." They use mathematical analogies; the French eighteenth-century is their ideal ground, but Saussure is the leading theorist. This school has been influential in Russia (against Vossler). For Saussure, langage and parole are not fit for study—only langue, the system. The main thesis is the correlation
language : utterance  =  social : individual
—because they present the utterance as being entirely individual!  The utterance, the individual element, is an essential factor in a history of language; history is seen as an irrational force disturbing the logic of the system.

The rest of schools effect a compromise between both positions (Neogrammarians are closer to objectivism; the fact as an ultimate criterion, laws of sound, etc.). There is a rejection of responsible philosophy.


2. Language, Speech, and Utterance (Analysis of abstract objectivism).

Language is conceived as system. Can it be considered a real entity? Not for the representatives of abstract objectivism. The system is an "objective fact external to and independent of any individual consciousness." But from a truly objective viewpoint language appears as endless becoming, not as fixed system.

66- "Thus a synchronic system, from the objective point of view, does not correspond to any real moment in the historical process of becoming."  Any system of social norms exists only for the individual consciousness—and this relationship is itself an objective fact. [Note that Saussure’s point of view as a subject, and as a linguist, is relevant here too, if we follow this reasoning. — JAGL.] This results in an hypostasizing abstract objectivism—or else an ambiguous use of the world "objective" (meaning either "objective from the standpoint of the subjectivity of the speaker" or "from the objective standopoint" (Saussure is ambiguous here).

But not even the subjective consciousness of the speaker conceives of language as a system of normatively identical forms. For the speaker the point of attention is not the identity of the form, but rather its new value in a particular context. Similar for the hearer: it is not a matter of recognizing the identity of the form; an attention (68) "to understanding its novelty and not to recognizing its identity" [One might emphasize that the one goes along with the other. And users of language are often angered by breaches of linguistic norms.—JAGL]. Linguistic forms are not a fixed signal, but an adaptable sign. Signals are recognized; signs are understood. The signal is not ideological, but merely technical. Any act of understanding is already a response: it translates what is being understood into a new context from which a response can be made.

Signalization is present in language, but is dialectically effaced by the new quality of the sign (i.e. of language as such). It is present in a second language: (69) "The ideal of mastering a language is absorption of signality by pure semioticity and of recognition by pure understanding." (In concrete contexts, etc.). The linguistic consciousness of the speaker is not concerned with abstract normative system, (70) "but with language-speech in the sense of the aggregate of possible contexts of usage for a particular linguistic form." We do not hear "words": (70) "Words are always filled with content and meaning drawn from behavior or ideology." The criterion of correctness is only applied abnormally—it is usually submerged by a purely ideological criterion.

70- "Language, in the process of its practical implementation, is inseparable from its ideological or behavioral impletion". But it is divorced from it by abstract objectivism, which is a serious error. The system is obtained by abstraction for a practical end: the focus of attention has been the study of defunct, alien languages preserved in written monuments—a philological orientation. Throughout all history, (71) "Linguistics makes its appearance wherever and whenever philological need has appeared"—a matter of necessity, but it is inadequate for dealing with living speech; it lacks range. But even the written monument is an inseverable element of verbal communication—it is caught in the chain of performance:

72- "Each monument carries on the work of its predecessors, polemicizing with them, expecting active, reponsive understanding and anticipating such understanding in return." A work is part of science, of literature, or of political life; and it is (72) "perceived in the generative process of that particular ideological domain of which it is an integral part." But it is viewed by the philologic linguist as an isolated entity.

73- "Inevitably, the philologist linguist’s passive understanding is projected onto the very monument he is studying from the language point of view, as if that monument were in fact calculated for just that kind of understanding, as if it had, in fact, been written for the philologist." A false notion of passive understanding permeates all. The heuristic and pedagogical tasks of linguistics deform the understanding of the work. The philologist is always a decipherer of secrets, and a teacher —like the priests. The whole is permeated by a philosophy of the Word, of the alien word. Foreign language spell-bounds linguistic study. With the conqueror-chief, "incipit philosophia, incipit philologia."

Importance of the alien, foreign language word in history (it determines a magical conception of the word). Linguistics is a product of the foreign word; but it does not understand the role the foreign word has played in it. Japhetic linguistics, and multitribal languages—emerging from tribal names!  A cognizance of the alien word and its assumptions determines the way abstract objectivism conceives of language at large.

77- "1. The factor of stable self-identity in linguistic forms takes precedence over their mutability"—etc. Reification of language, a jump from elements to the whole—decontextualization.

81- "people do not ’accept’ their native language—it is in their native language that they first reach awareness." There is no possibility of linguistic responsibility if the system is just accepted (etc.).  The truth of language is to be found in the dialectical synthesis of individual subjectivitism and abstract objectivism.

The utterance is not individual (something which both individual subjectivism and abstract objectivism had assumed, and this is their weak point):

82- "The utterance is a social phenomenon."

3. Verbal interaction

(Analysis of individualistic subjectivism, and synthesis of both trends).

Individualistic subjectivism is associated with romanticism (opposing rationalism and classicism). Romanticism as a reaction against the alien word and against the last resurgences of the cultural power of the alien word. The romantics were the first philologists of the native language. But this conception is also based on the monologic utterance—conceived from the inside, from the person speaking. Speech appears as expression: something defined in the mind of the individual, and objectified for others with signs. The expressible exists apart from expression; there is a switching of form. They presuppose a dualism, inside/outside, with a primacy for the inside, deformed in expression.

This is untenable. The inside and the outside are made of the same material. And, (85) "It is not experience that organizes expression, but the other way around—expression organizes experience". The word is oriented to the addressee (that was ignored); and it appears in a specific social situation, even if it is only the social purview of our group. The inner world of the individual contains a social audience. 

86- "A word is territory shared by both addresser and addressee"; "The immediate social situation and the broader social milieu wholly determine—and determine from within, so to speak—the structure of an utterance."  The speaker controls the production of the signal, but not of the sign. (87) "The degree to which an experience is perceptible, distinct, and formulated is directly proportional to the degree to which it is socially oriented" —it is not a blur in the soul, etc. [Cf. Croce.—JAGL]

2 poles: I-experience and We-experience (indifferentiation vs. differentiation).

Collective experience in a materially aligned group is the most favourable ground for achieving ideological clarity and structuredness. Individualistic self-experience is not the same as the I-experience: it is perfectly structured.

89- "individualism is a special ideological form of the ’we-experience’ of the bourgeois class." Self-confidence is not drawn from the inside, but from society. "But there resides in this type of individualistic ’we-experience’, and also in the very order to which it corresponds, an inner contradiction that sooner or later will demolish its ideological structuredness."

90- "Outside objectification, outside embodiment in some particular material (...) consciousness is a fiction."  Consciousness as material expression is an objective fact and social force, (90) "capable even of exerting in turn an influence on the economic bases of social life."

91- "Behavioral ideology is that atmosphere of unsystematized and unfixed inner and outer speech which endows our every instance of behavior and action and our every ’conscious’ state with meaning" (comparable to the "social psychology" in Marxism). (91) "The established ideological systems of social ethics, science, art, and religion are crystallizations of behavioral ideology, and these crystallizations, in turn, exert a powerful influence back upon behavioral ideology, normally setting its tone"—and providing vital contact at the same time. The work is illuminated anew by the consciousness of the perceiver: it gains new sustenance from the ideology of each age.

There are several strata in behavioral ideology (with a different definition, orientation, amplitude). They range from fleeting thoughts to strata linked with ideological systems and which can modify the economic basis. Creative individuality is a firmly grounded social orientation. Biographical explanations are interesting in the lower strata, but useless in the upper ones: the social being is all-important there. Individualistic subjectivism is correct in valuing the individual utterance and in not severing the linguistic form and the ideological impletion. But it is wrong in deriving both (ideology and subjectivism) from the individual psyche.

Conclusion:

94- "The actual reality of language-speech is not the abstract system of linguistic froms, not the isolated monologic utterance, and not the psychopathological act of its implementation, but the social event of verbal interaction implemented in an utterance or utterances." The same applies to printed verbal performances. [Cf. the "Discourse" section of Acción, Relato, Discurso— JAGL.]

95- "Any utterance, no matter how weighty and complete in and of itself, is only a moment in the continuous process of verbal communication." "Verbal communication can never be understood and explained outside of this connection with a concrete situation." The study of language should follow the steps of its actual generation: from particular utterances, to the forms of utterance, to language forms. The particular utterance is only an island in the continous sea of discourse. Social circles determine the types of utterance used. Rhetoric and poetics should be used to study the ideological utterance:

98- "1. Language as a stable system of identical forms is merely a scientific abstraction (..)

2. Language is a continuous generative process implemented in the social-verbal interaction of speakers.

3. The laws of the generative process of language are not at all the laws of individual psychology, but neither can they be divorced from the activity of speakers. (...)

4. Linguistic creativity does not coincide with artistic creativity nor with any other type of specialized ideological creativity. But, at the same time, linguistic creativity cannot be understood apart from the ideological meanings and values that fill it. (...)

5. The structure of the utterance is a pure sociological structure."

The notion of an individual speech act is a contradictio in adjecto.



4. Theme and Meaning in Language

 The monologism of linguistics is revealed in the analysis of meaning (conceived as passive understanding). The significance of an utterance is its theme. Individual, irreproducible, determined by linguistic forms and by extraverbal situation.

100- "Only an utterance taken in its full, concrete scope as an historical phenomenon, possesses a theme."  "Meaning" consists of the reproducible aspects of the utterance (abstract); "Meaning is the technical apparatus for the implementation of theme." There is no clear boundary—but a dialectical dependence from one another. Voloshinov alludes to Marr’s theory of the origin of language starting from a one-word utterance containing all significance, i.e. being all theme.  OK in the sense that

101- "Multiplicity of meanings is the constitutive feature of word." Marr’s one-word language ia all theme, but there is no meaning that one word. Theme is the upper limit of linguistic signifincance; meaning is the lower limit.

Voloshinov rejects the opposition of "usual" vs. "occasional" meanings, or of "denotation" vs. "connotation", etc. —There is a tendency in such discriminations to ascribe greater value to a central core of meaning, presupposing it is stable. And this analysis would leave theme unaccounted for. Cf. the problem of active understanding:

102- "To understand another person’s utterance means to orient oneself with respect to it, to find the proper place for it in the corresponding context." "Any true understanding is dialogic in nature." (—except in the case of the understanding a foreign language). [Note the danger of using "dialogic" in this sense, when some extra element must be added to characterize actual dialogue.—JAGL]

Meaning does not belong to the word, but to a word in its position beween speakers. Meaning is realized only in active and responsive understanding.

102-3- "Meaning is the effect of interaction between speaker and listener produced via the material of a particular sound complex." The word is always linked in actual speech with a specific evaluative accent. The actual intonation is only a vehicle for this intonation (e.g. swearwords can have many meanings). Intonation is used to convey this evaluation only in familiar speech; public speech uses other evaluative devices. It is this evaluation that plays the active role in changes of meaning, and in the generation of themes.

The expansion of man’s interests from primitive times is reflected in the generation of new semantic properties in language.


(...)





The Chains of Semiosis


—oOo— 
 

 


A photo on Flickr

A Book on Frames

domingo, 22 de febrero de 2015

A Book on Frames

Wherein we are quoted.

Federici, Corrado, Leslie Anne Boldt-Irons, and Ernesto Virgulti, eds. Images and Imagery: Frames, Borders, Limits: Interdisciplinary Perspectives. (Studies on Themes and Motifs in Literature). Bern: Peter Lang, 2005.* Preview at Google Books
    https://books.google.es/books?id=MuhW-mU-1j4C
    2015

Elemente der Narratologie

 

miércoles, 18 de febrero de 2015

Elemente der Narratologie

Me cita repetidamente Wolf Schmid en la tercera edición de Elemente der Narratologie (Berlín: Walter de Gruyter, 2014)—libro que además tiene vista previa de Google.



Los narratólogos en lituano 
 



—oOo— 
 


Overhearing Narrative - retweeted

miércoles, 4 de febrero de 2015

Overhearing Narrative - retweeted

A Wonderful Harmony

sábado, 31 de enero de 2015

A Wonderful Harmony

a commentary to Bill Benzon's letter to Hillis Miller, "Paths Not Taken":

Computers are instruments that enhance our vision, and data processing enables us to see patterns where there were none before. What to do with those enhanced powers, that's the eternal question. One has to apply one's own powers of association and patterning to them, those that do not come along with the data, but rather with the observer. So we may get new data, which may even spark out new ideas, but that's still only half the job, the other half is as old as Heraclitus, when he said that "a wonderful harmony arises from joining together the seemingly unconnected". Or words to that effect.



Conectando con Heráclito el Oscuro





—oOo—