Distributed intimacies CFP
viernes, 13 de septiembre de 2013
Distributed intimacies CFP
Banff Research in Culture 2014
 
 Summer Research Residency
 
 
 
 Program Dates: May 26, 2014 – June 13, 2014
 
 Application Deadline: December 2, 2013
 
 Application and Program Info: http://www.banffcentre.ca/programs/program.aspx?id=1394
 
 Faculty: Lauren Berlant<http://www.banffcentre.ca/programs/program.aspx?id=1394&facId=4020&p=member>, Francisco Camacho<http://www.banffcentre.ca/programs/program.aspx?id=1394&facId=4282&p=member>, Wendy Hui Kyong Chun<http://www.banffcentre.ca/programs/program.aspx?id=1394&facId=4577&p=member>
 
 Intimacy describes our relations with those people, places, creatures,  and things to which we feel the deepest, most powerful or most abiding  connections. The multiple ways in which we experience intimacy today  draw attention to the complex patterning of closeness and distance that  has always unconsciously structured our cultural, social and political  practices. There have long been forms of distant intimacy—staying ‘in  touch’ via the drama of epistolary exchanges or through sound waves  emanating from a telephone—but recent technological developments,  increased travel, the expansion of migration and immigration, and  instantaneous virtual communication are fundamentally reshaping our  understanding and experience of the proximity of bodies, sentiments, and  ideas. Social networking and the democratization of modes of  communication and media have had a profound significance for the  experience of community, collectivity, and affinities; at every level,  from the family to the nation, our sense of belonging is being redefined  in ways that affect our daily experience but remain difficult to  comprehend.
 
 One can see evidence of the new distribution of intimacy everywhere: in  the immediacy of a rock concert, one witnesses people en masse recording  the spectacle for friends not present; on public transit around the  world, passengers make connections to different elsewheres via  newspapers, music, text messages, and mobile phone calls; and in  political protests (as evidenced by the Arab Spring and recent dissent  in Turkey), which have been reshaped by the use of technologies that  are, for a new generation, part and parcel of everyday life. Intimacies  of friendship, collectivity, love and belonging are being substantially  redefined through the devices in our hands and a global infrastructure  that supports instantaneous sharing.
 
 Banff Research in Culture (BRiC) 2014 will investigate the cultural,  social, and political repercussions of “distributed intimacies”—the  processes and outcomes of new forms of mediation that have reshaped how  we relate to one another, imagine ourselves as parts of groups, and  constitute communities. Given the fractal character of our  subjectivity—the ways in which we are necessarily the outcome of  networks of intersubjective relations, experiences, and concepts—how are  our intimacies constituted by the ways we live? What are the modes and  machines by which intimacies are distributed, and what determines their  intensities? How does the global distribution of goods, ideas and  affects across oceans and continents shape forms of intimacy, belonging  and community? What forms of intimacy feel inescapable? What impedes  intimacy from flourishing? Are local scenes and forms of collectivity  (e.g., non-traditional families, polyamory, activist movements,  alternative forms of political practice) enabled by new forms of  distributed intimacies? In what ways do contemporary cultural and art  practices participate in the distribution of intimacy? To what extent  are our intimacies segmented, remote-controlled, and apportioned, and  can we redefine these distributions without lapsing into a nostalgic  primitivism? Finally, what does distributed intimacy imply for social  change as well as for the politics of shaping one’s own self in relation  to others?
 
 We look forward to receiving compelling and original project proposals  from thinkers and creators working on a wide range of projects.
 
 
 Imre Szeman
 Canada Research Chair in Cultural Studies
 Killam Annual Professor
 Professor of English, Film Studies and Sociology
 University of Alberta
 www.crcculturalstudies.ca<http://www.crcculturalstudies.ca/>
 
       
		
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