Narración autodiegética
miércoles, 12 de noviembre de 2014
Narración autodiegética
"Samuel Beckett y la Narración Reflexiva" es un estudio en profundidad de la escritura experimental de Beckett, en especial de la trilogía novelística "Molloy," "Malone Dies," and "The Unnamable", desde la perspectiva de la narratología estructuralista y las teorías estructuralistas sobre la enunciación. Resulta de allí no sólo una mejor comprensión de la técnica utilizada por Beckett para transmitir su peculiar visión de la realidad, sino también toda una nueva gama de significaciones en estos textos. En este capítulo examinamos la problematización a que se somete la narración en primera persona (autodiegética), el uso paródico de la motivación realista, y la relación entre el autor ficticio y el autor textual o implícito.
Narración autodiegética (Samuel Beckett y la narración reflexiva, 6)
http://papers.ssrn.com/abstract=2514510
Autodiegetic Narration (Samuel Beckett and Reflexive Narrative, 6)
"Samuel Beckett and Reflexive Narrative" is an in-depth study of Beckett's experimental writing, more specifically of the novelistic trilogy "Molloy," "Malone Dies" and "The Unnamable," from the standpoint of structuralist theories of narrative and of enunciation. An increased insight is thereby obtained into the technique used by Beckett to articulate his peculiar view of reality, and a new dimension of signification of these texts emerges. This chapter examines Beckett's problematization of first-person (autodiegetic) narration, the parodic use of realistic motivation for the narrative, and the relationship between the fictional author and the textual or implied author.
Note: Downloadable document is in Spanish. Number of Pages in PDF File: 14
Reference Info: Samuel Beckett y la narración reflexiva (Zaragoza: Prensas Universitarias de Zaragoza, 1992)Autodiegetic Narration (Samuel Beckett and Reflexive Narrative, 6)
"Samuel Beckett and Reflexive Narrative" is an in-depth study of Beckett's experimental writing, more specifically of the novelistic trilogy "Molloy," "Malone Dies" and "The Unnamable," from the standpoint of structuralist theories of narrative and of enunciation. An increased insight is thereby obtained into the technique used by Beckett to articulate his peculiar view of reality, and a new dimension of signification of these texts emerges. This chapter examines Beckett's problematization of first-person (autodiegetic) narration, the parodic use of realistic motivation for the narrative, and the relationship between the fictional author and the textual or implied author.
| eJournal Classifications (Date posted: October 26, 2014) |
| LIT Subject Matter eJournals |
| LIT Subject Matter eJournals |
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_____. "Narración autodiegética (Samuel Beckett y la narración reflexiva, 6). Academia 14 May 2015.*
2015
_____. "Narración autodiegética (Samuel Beckett y la narración reflexiva, 6). ResearchGate 31 July 2015.*
2015
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