Imágenes del lector (Samuel Beckett y la narración reflexiva, 9)
martes, 16 de diciembre de 2014
Imágenes del lector (Samuel Beckett y la narración reflexiva, 9)
"Samuel Beckett y la Narración Reflexiva" es un estudio en profundidad de la escritura experimental de Beckett, en especial de la trilogía novelística "Molloy," "Malone Dies," y "The Unnamable", desde la perspectiva de la narratología estructuralista y las teorías estructuralistas sobre la enunciación. Resulta de allí no sólo una mejor comprensión de la técnica utilizada por Beckett para transmitir su peculiar visión de la realidad, sino también toda una nueva gama de significaciones en estos textos. Este capítulo examina la transformación metaficcional a que se ven sometido el papel del receptor en la escritura de Beckett, con su uso de la figura del narratario y el papel del lector implícito o textual.
(Images of the Reader (Samuel Beckett and Reflexive Narrative, 9))
"Samuel Beckett and Reflexive Narrative" is an in-depth study of Beckett's experimental writing, more specifically of the novelistic trilogy "Molloy," "Malone Dies" and "The Unnamable," from the standpoint of structuralist theories of narrative and of enunciation. An increased insight is thereby obtained into the technique used by Beckett to articulate his peculiar view of reality, and a new dimension of signification of these texts emerges. This chapter examines Beckett's metafictional reworking of the role of the receiver, his use of narratees and the image of the textual or implied reader.
(Images of the Reader (Samuel Beckett and Reflexive Narrative, 9))
"Samuel Beckett and Reflexive Narrative" is an in-depth study of Beckett's experimental writing, more specifically of the novelistic trilogy "Molloy," "Malone Dies" and "The Unnamable," from the standpoint of structuralist theories of narrative and of enunciation. An increased insight is thereby obtained into the technique used by Beckett to articulate his peculiar view of reality, and a new dimension of signification of these texts emerges. This chapter examines Beckett's metafictional reworking of the role of the receiver, his use of narratees and the image of the textual or implied reader._
Reference Info: Samuel Beckett y la narración reflexiva. Zaragoza: Prensas Universitarias de Zaragoza, 1992. 229-36.
Date posted: December 03, 2014
http://papers.ssrn.com/abstract=2532845
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También en:
_____. "Imágenes del lector (Samuel Beckett y la narración reflexiva, 9)." Academia 24 Aug. 2015.*
2015
_____. "Imágenes del lector (Samuel Beckett y la narración reflexiva, 9). ResearchGate 28 Sept. 2015.*
2015
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