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Mark Freeman, The Priority of the Other

domingo, 13 de abril de 2014

Mark Freeman, The Priority of the Other

From the CNR Newsletter:


The priority of the other: thinking and living beyond the self (Oxford, 2014) Mark Freeman 

Psychology, having come of age under the influence of Descartes and other champions of the thinking "I," has come to focus largely on what happens inside the self. This perspective expanded with the emergence of social psychology and, more recently, cultural psychology, but by and large, the field has taken an essentially ego-centric approach. Working from this basic premise, Mark Freeman proposes that we adopt a more "ex-centric" perspective, one that affirms the priority of the Other in shaping human experience. In speaking of the "Other," Freeman refers not only to other people, but also to those non-human "others," nature, art, God, that take us beyond the ego and bring us closer to the world. In speaking of the Other's priority, he insists that there is much in life that "comes before us." By thinking and living the priority of the Other, we can therefore become better attuned to both the world beyond us and the world within. At the heart of Freeman's perspective are two fundamental ideas. The first is that the Other is the primary source of meaning, inspiration, and existential nourishment. The second is that it is the primary source of our ethical energies, and that being responsive and responsible to the world beyond us is a defining feature of our humanity. There is a tragic side to Freeman's story, however. Enraptured though we may be by the Other, we frequently encounter it in a state of distraction and fail to receive the nourishment and inspiration it can provide. And responsive and responsible though we may sometimes be, it is perilously easy to retreat inward, to the needy ego. The challenge, therefore, is to break the spell of the "ordinary oblivion" that characterizes much of everyday life. The Priority of the Other can help us rise to the occasion.

Narrative foreclosure and epilogue time
A photo on Flickr

Narrative Imagination and Everyday Life

domingo, 13 de abril de 2014

Narrative Imagination and Everyday Life

From the CNR newsletter:
 
Narrative imagination and everyday life
Molly Andrews
Oxford University Press, 2014
 
It has been widely acknowledged that in the past few decades, there
has been a 'narrative turn' - an interest in the storied nature of human
life. However, very little work has discussed the role of imagination.
Narrative Imagination and Everyday Life looks at how stories and imagination come together in our daily lives, influencing not only our thoughts about what we see and do, but also our contemplation of what is possible and what our limitations are. Without imagination, we are forever doomed to the here and now. But our imaginations are always influenced by our own particular experiences, which we recount to ourselves and others through stories - both told and untold. Combining scholarly research with personal experience, Andrews examines how story and imagination come together in different areas of life such as education, politics, and aging. She focuses on the importance of the narrative imagination when listening to the experiences of others who have very different experiences of the world, asking if it is ever possible to understand the suffering of others. She asks what kind of stories influence our thinking about who we are becoming in our aging selves. In the chapter on teaching, she looks at the dynamics of the teacher - student relationship and the stultifying effect of some educational practices and policies on the imagination. The discussion on education and global citizenship leads directly into the chapter on political narratives, where Andrews uses the example of Barack Obama as one of the most strategic storytellers of our time. Narrative and imagination are integrally tied to one another; this is immediately clear to anyone who stops to think about stories real and imagined, about the past or in a promised, or feared, future. In asking why and how this is so, Andrews directs us to ruminate on what it means to be human.
 A photo on Flickr
 Out of Character
 

Traducción y ciencia cognitiva

domingo, 13 de abril de 2014

Traducción y ciencia cognitiva

Biosemiotics and Storytelling

Biosemiotics and Storytelling en Narratología Evolucionista.

СЕМИОСФЕРА НАРРАТОЛОГИИ / SEMIOSPHERE OF NARRATOLOGY

jueves, 27 de marzo de 2014

СЕМИОСФЕРА НАРРАТОЛОГИИ / SEMIOSPHERE OF NARRATOLOGY

La semiosfera de la narratología




Y otra colaboración con Ludmila Tataru: The Evolution of Narratology.

СЕМИОСФЕРА  НАРРАТОЛОГИИ

La estructura pragmática de la narración literaria

miércoles, 26 de marzo de 2014

La estructura pragmática de la narración literaria

Aquí hay un artículo/capítulo sobre

La estructura pragmática de la narración literaria (Acción, Relato, Discurso, 3.1)

Reconozco que es largo y casi parece un libro sobre pragmática literaria, pero es sólo una pequeña sección de mi pesado tratado de narratología Acción, Relato, Discurso.


Ahora está en la SSRN, parte de una serie de trabajos extraídos del libro en cuestión. 

Resumen: Este trabajo expone una teoría semiótica de la comunicación literaria, examinando la estructura de la ficción narrativa en la interfaz de la narratología y de la pragmática literaria. Sienta los prolegómenos para el estudio de las estructuras discursivas de la narración tal como se llevará a cabo en la tercera sección de "Acción, Relato, Discurso", un tratado sistemático de narratología estructuralista. La primera sección del presente trabajo proporciona una introducción al concepto de pragmalingüística, y procede luego a examinar desde este punto de vista las cuestiones de la escritura, la interacción comunicativa, la ficcionalidad, la narración y el status narrativo. Destaca un análisis de la ficcionalidad desde el punto de vista de la teoría de los actos de habla. Termina este trabajo con un examen pragmalingüistico del concepto de literatura, de la comunicación literaria y sus efectos, y de la noción de géneros literarios.

English abstract: This paper develops a semiotic theory of literary communication, examining the structure of narrative fiction at the interface between narratology and literary pragmatics. It sets down the prolegomena for an examination of the discursive structures of narrative as developed in the third section of "Action, Story, Discourse", a systematic treatise in structuralist narratology. The first section of this paper provides an introduction to the notion of linguistic pragmatics, and then proceeds to examine from this standpoint the issues of writing, communicative interaction, fictionality, narration and narrative status. The paper develops an analysis of fictionality from the perspective of speech act theory, and ends with a pragmalinguistic examination of the concept of literature, of literary communication and effect, and of the notion of literary genres.

Note: Downloadable document is in Spanish. 

 
Reference Info: Acción, Relato, Discurso: Estructura de la ficción narrativa (Salamanca: Ediciones Universidad de Salamanca, 1998) 

_________


Bien, pues este capítulo ha reaparecido últimamente en estas revistas de las redes de ciencia cognitiva y de literatura de la SSRN.  Se encuentra en estas revistas (o sitios web) con fecha de 11 de marzo de 2014 (Date posted: March 11, 2014)

eJournal Classifications

CSN Subject Matter eJournals
    
        
CSN Subject Matter eJournals
    
        
            
LIT Subject Matter eJournals
    


La duda es si esto es una reedición de algún tipo, sobre todo a efectos Administrativos.


Narrador, narración y narratario

Narrador, Narración y narratario

lunes, 24 de marzo de 2014

Narrador, Narración y Narratario

"Narrador, Narración y Narratario" (Acción, Relato, Discurso, 3.2) — otro largo capítulo sobre teoría de la narración que aparece en varias revistas del SSRN. Debe de ser interdisciplinar, porque  está en la red de ciencia cognitiva, la de  literatura /humanidades, y la de filosofía. Animo, que sólo son 83 páginas.

 

Resumen: Este trabajo examina los conceptos de narrador, narración y narratario en la ficción narrativa, desde la perspectiva de la narratología estructuralista. "Acción, Relato, Discurso" es un tratado sistemático de narratología estructuralista, y la presente sección examina las estructuras narrativas asociadas al nivel de la narración ficticia y su recepción. La primera parte ("Narrador") trata del concepto de narrador en la ficción, la autonomía del nivel de la narración, la competencia modal del narrador, la cuestión de los niveles narrativos, la inserción de relatos y las rupturas de marco, el concepto de la persona narrativa, y se se comentan algunos tipos básicos de narrador: los narradores autodiegéticos, los narradores-testigo, los narradores escritores, y el narrador autorial. La segunda parte ("Narración") examina la cuestión de la motivación diegética de la narración, los movimientos narrativos, la narración de palabras, de acontecimientos y de pensamientos; el monólogo interior, la descripción y el comentario; asimismo se comenta la temporalidad del acto narrativo y la clausura narrativa. La última sección se dedica a la figura del narratario como interlocutor del narrador.

English Abstract: This paper examines the concepts of narrator, narration and narratee in fiction, from the perspective of structuralist narratology. "Action, Story, Discourse" is a systematic treatise in structuralist narratology, and the present section examines the narrative structures associated to the level of fictional narration and its reception. The first part ("Narrator") deals with the concept of the narrator in fiction, the autonomy of the level of narration, the narrator's modal competence, the issue of narrative levels, embedding, and frame breaking, the concept of narrative person, and some major types of narrators: autodiegetic narrators, witness-narrators, author-narrators, and authorial narrators. The second part ("Narration") discusses the notion of diegetic motivation of narration, narrative movements, narration of words, of events, of thoughts, interior monologue, description and commentary; also the time of the narrative act and narrative closure. The last section is devoted to the figure of the narratee, the narrator's addressee.


Note: Downloadable document is in Spanish.



Reference Info: Acción, Relato, Discurso: Estructura de la ficción narrativa (Salamanca: Ediciones Universidad de Salamanca, 1998)

http://papers.ssrn.com/abstract=2407894


Puede verse en estas revistas con fecha de 13 marzo de 2014 (Date posted: March 13, 2014)

eJournal Classifications
CSN Subject Matter eJournals
    
        
            
LIT Subject Matter eJournals
    
PRN Subject Matter eJournals
    
        




Modo del relato
 




Modo del relato

sábado, 22 de marzo de 2014

Modo del relato

Mi capítulo sobre el modo del relato —(Acción, Relato, Discurso, 2.4) (Narrative Mood, (Action, Story, Discourse, 2.4))— trata sobre cuestiones de distancia narrativa, "decir" frente a "mostrar", punto de vista, perspectiva, focalización, etc. Es largo. Aparece ahora en el SSRN, en la red de humanidades y en la de ciencia cognitiva.

 http://papers.ssrn.com/abstract=2405430

Reference Info: Acción, Relato, Discurso: Estructura de la ficción narrativa (Salamanca: Ediciones Universidad de Salamanca, 1998)


Ha sido aceptado en las siguientes revistas del SSRN, donde se ve con fecha de 7 de marzo de 2014: (Date posted: March 07, 2014):

eJournal Classifications
CSN Subject Matter eJournals
    
        
CSN Subject Matter eJournals
    
        
            
LIT Subject Matter eJournals
    






Tiempo del relato