Sir Gawain and the Green Knight
lunes, 28 de septiembre de 2015
Sir Gawain and the Green Knight
From The Oxford Companion to English Literature, ed. Margaret Drabble.
Sir Gawain and the Green Knight, a greatly admired alliterative poem from the North-West Midlands, dating from the second half of the 14th cent. (some authorities date it around 1375), the only manuscript of which is the famous Cotton Nero A. X which is also the sole manuscript of *Pearl, *Patience, and *Cleanness. The poem is in 2,530 lines in long-lined alliterative stanzas of varying length, each ending with a *'bob and wheel'. Most modern critics regard the four poems in the manuscript as the work of a single poet; but as far as the interpretation of this poem is concerned, the question of single authorship is largely irrelevant, so different is its subject from the three doctrinal pieces.
The story of the poem is as follows (under the headings of its four 'fitts', narrative divisions).
Fitt 1: Arthur and his court are seated at a New Year's feast in Camelot waiting for a marvel when a huge green man enters, bearing an axe and a holly bough. He challenges a knight to cut his head off on condition that the knight agrees to have his head cut off a year hence. Gawain accepts the challenge and cuts the green knight's head off; the knight picks it up and rides away.
Fitt 2: A year later Gawain sets off to keep his side of the bargain. After riding through grim landscapes in wintry weather, on Christmas Eve Gawain comes upon a beautiful castle where he is graciously received. The lord of the castle makes an agreement with Gawain that each day he himself will hunt in the fields and Gawain in the castle; at the end of the day they will exchange spoils.
Fitt 3: For three consecutive days, the lord hunts and Gawain, famous for his sill and prowess in love, is amorously approached by the beautiful lady of the castle, who gives him one kiss the first day, two on the second, and on the third day three kisses, and a girdle which has magic properties that will save his life. Each evening Gawain exchanges the kisses with his host for the animals slain in the hunt; but in the third evening he keeps the girdle (thus breaking his bargain), to protect him in the imminent meeting with the green knight.
Fitt 4: Gawain is directed to the green knight's chapel where he kneels to receive his blow. Twice the knight feints at him, and the third time he makes a slight cut in Gawain's neck. Then he explains that he is the knight of the castle in a different form, and that the cut in the neck was sustained because of Gawain's infidelity in keeping the girdle. Gawain bitterly curses his failing and the snares of women; but hte green knight applauds him and, on Gawain's return to Arthur's court, they declare that they will all wear a green girdle in honour of his achievement.
The poem may be connected with the founding of the Order of the Garter. The elegance of the construction of the narrative, as well as the vivid language of the poem, are universally admired, and this is agreed to be one of the greatest poems in Middle English. Interpretation of its somewhat enigmatic raison d'être has been more varying; Speirs stressed its connection with some unexpressed archetypal story of seasons and vegetation; John Burrow concentrates on the moral seriousness underlying its colourful romantic exterior; modern critics, such as E. Wilson, see it in relation to the other Christian poems in the manuscript.
Ed. J. R. R. *Tolkien, E. V. Gordon, and N. Davis (2nd edn, 1967); J. A. Burrow, A Reading of Sir Gawain and the Green Knight (1965); J. Speirs, Medieval English Poetry (1957): 215-51; A. C. Spearing, The Gawain Poet (1970), ch. 5; E. Wilson, The Gawain-Poet (1976); W. R. J. Barron, Trawthe and Treason (1980); D. R. Howard and C. K. Zacher, eds. Critical Studies of Sir Gawain and the Green Knight (1968).
Negros de verdad muy blancos: sobre 'The Color Line' y la Regla de Una Gota
lunes, 28 de septiembre de 2015
Negros de verdad muy blancos: sobre 'The Color Line' y la Regla de Una Gota
Aquí un libro muy interesante sobre dos de las fantasías más curiosas y más insidiosamente racistas de la cultura norteamericana: la "regla de una gota de sangre negra" y la de "la línea de color". Para entender un poco mejor, a los americanos, si es que se puede. (Y para no creerse sus creencias). De esta mitología racista participan tanto blancos como negros, con una fe y una pasión tan poco críticas como las que se dedican en ese país a las interpretaciones literales de la Biblia.
LEGAL HISTORY OF THE COLOR LINE
Otras maneras de formular este mito serían la supuesta existencia (y real existencia, según se mire) de negros invisibles, de tránsfugas raciales, o la creencia sin más de que "tenemos una raza"—de que las "razas" blancas y negras u otras forman grupos definidos a los cuales alguien pertenece o no pertenece. Una de tantas ficciones culturales que acaban surtiendo efectos reales, y creando realidades, a base de creer en ellas.
Tres medallas
lunes, 28 de septiembre de 2015
Tres medallas
Tres medallas me concede ResearchGate, puramente imaginarias y pixeladas. Primera medalla: He sido el autor más leído de ResearchGate en LINGÜÍSTICA. Del mundo, al parecer, o del mundo según ResearchGate:
Segunda medalla: es mío el artículo más leído de mi departamento.
Tercera medalla: Soy el autor más leído de mi departamento. En ResearchGate, claro:
—oOo—
Análisis de las elecciones catalanas
lunes, 28 de septiembre de 2015
Análisis de las elecciones catalanas
¿Ven lo que pasa por tolerar un fraude de ley como el que se ha tolerado en las elecciones catalanas, explícitamente encaminadas a viciar y destruir el sistema? Pues que crecen los enanos, y se multiplica el problema, en lugar de desaparecer. El que tiene que desaparecer para que todo empiece a encontrar solución es el pernicioso Mariano, y la partitocracia a la que representa.
Sir Gawain and the Green Knight - Fit the First
Bibliografía sobre Diarios y Dietarios
domingo, 27 de septiembre de 2015
Bibliografía sobre Diarios y Dietarios
Diaries —de mi Bibliografía de Teoría Literaria, Crítica, y Filología, subido a Scribd por Arnaldo Donoso