Saliendo de la trilogía: El final de 'The Unnamable'
viernes, 5 de diciembre de 2014
Saliendo de la trilogía: El final de 'The Unnamable'
Saliendo de la trilogía: El final de The Unnamable (Samuel Beckett y la narración reflexiva, 8)
Seguimos subiendo capítulo a capítulo el libro sobre Beckett:
Samuel Beckett y la Narración Reflexiva es un estudio en profundidad de la escritura experimental de Beckett, en especial de la trilogía novelística Molloy, Malone Dies, y The Unnamable, desde la perspectiva de la narratología estructuralista y las teorías estructuralistas sobre la enunciación. Resulta de allí no sólo una mejor comprensión de la técnica utilizada por Beckett para transmitir su peculiar visión de la realidad, sino también toda una nueva gama de significaciones en estos textos. En este capítulo examinamos la clausura de The Unnamable (El Innombrable) entendida como un experimento de representación metalingüística aplicado a la función misma de la clasura narrativa.
Saliendo de la trilogía: El final de The Unnamable
http://papers.ssrn.com/abstract=2527915
Leaving the Trilogy: The Ending of The Unnamable (Samuel Beckett and Reflexive Narrative, 8)
Samuel Beckett and Reflexive Narrative is an in-depth study of Beckett's experimental writing, more specifically of the novelistic trilogy Molloy, Malone Dies and The Unnamable, from the standpoint of structuralist theories of narrative and of enunciation. An increased insight is thereby obtained into the technique used by Beckett to articulate his peculiar view of reality, and a new dimension of signification of these texts emerges. This chapter examines the ending of The Unnamable understood as an experiment in metalinguistic representation applied to the notion of narrative closure itself.
Reference Info: Samuel Beckett y la narración reflexiva. Zaragoza: Prensas Universitarias de Zaragoza, 1992.
| eJournal Classifications - Date posted: November 21, 2014 |
CSN Subject Matter eJournals |
| LIT Subject Matter eJournals |
| PRN Subject Matter eJournals |
| PRN Subject Matter eJournals |
—oOo—
Madres y niñas en la playa
La Maschera
viernes, 5 de diciembre de 2014
La maschera
Come sono belle queste maschere
Come sono brutte queste maschere
Si sono io le faccio io
Mi chiamano mascheraio
Metto pezzettini di carta
Comencio dal bordo
Dopo le sopracciglia, poi il naso e la bocca
Un giorno faccio una maschera che ride
Un giorno faccio una maschera che piange
Un giorno faccio una maschera bella
Un giorno faccio una maschera brutta
Come facile fare una maschera con diverse espressioni
Ma che peccato che non hanno il cuore
Che non hanno la circolazione del sangue
Che non sentono né fredo né caldo
Che non possono dire perché piangono o ridono
Ma con me sono diverse
Quando metto pezzettini di carta sugli occhi
mi guardano e mi danno i loro sentimenti
Quando metto pezzettini di carta sulla bocca
mi parlano e mi dicono tante cose
Quando metto pezzettini di carta sul naso
vedo che respirano
che sono vive
Ma allora, forse loro sono vere e noi siamo
maschere
Bibliografía sobre teatro inglés del Renacimiento
jueves, 4 de diciembre de 2014
Mi bibliografía sobre teatro inglés del Renacimiento: scribdizada.
Flotando en el cielo, volando en el mar
Much Ado about Nothing (and its afterlife)
miércoles, 3 de diciembre de 2014
Much Ado about Nothing (and its afterlife)
From The Oxford Companion to English Literature, ed. Margaret Drabble:
Much Ado about Nothing, a comedy by *Shakespeare, written probably 1598-9, first printed 1600. Its chief sources are a novella by *Bandello and an episode in Ariosto's *Orlando Furioso. The play has always been a popular one in performance.
Ths prince of Arragon, with Claudio and Benedick in his suite, visits Leonato, duke of Messina, father of Hero and uncle of Beatrice. The sprightly Beatrice has a teasing relationship with the sworn bachelor Benedick. Beatrice and Benedick are both tricked into believing the other in love, and this brings about a genuine sympathy between them. Meanwhile Don John, the malcontented brother of the prince, thwarts Claudio's marriage by arranging for him to see Hero apparently wooed by his friend Borachio on her balcony—it is really her maidservant Margaret in disguise. Hero is publicly denounced by Claudio on her wedding day, falls into a swoon, and apparently dies. Benedick proves his love for Beatrice by challenging Claudio to a duel. The plot by Don John and Borachio is unmasked by the 'shallow fools' Dogberry and Verges, the local constables. Claudio promises to make Leonato amends. Claudio promises to make Leonato amends for his daughter's death, and is asked to marry a cousin of Hero's; the veiled lady turns out to be Hero herself. Benedick asks to be married at the same time; Beatric, 'upon great persuasion; and partly to save your life, for I was told you were in a consumption', agrees, and the play ends with a dance.
From the Oxford Dictionary of Shakespeare, by Stanley Wells:
Much Ado about Nothing. Shakespeare's comedy ws first printed in *quarto in 1600, probably from the author's manuscript. This edition was reprinted in the First *Folio (1623). The play was not mentioned by *Meres in 1598, and is usually dated 1598-1600. It is based on a traditional story which had been told by Ariosto in his Orlando Furioso (1516, translated 1591), and by Bandello, translated into French by *Belleforest. It was played at Court in 1613, and a poem by Leonard *Digges printed in 1640 suggests that it remained popular. William *Davenant adapted it as The Law Against Lovers (1662), with little success.
The original play was performed in 1721, and there were further revivals in 1739 and 1746, but it did not fully regain its popularity until David *Garrick first played Benedick, in 1748, after which he revived it regularly until he retired in 1776. His first, and greatest, Beatrice was Mrs. *Pritchard.
During the later part of the century Frances Abington and Elizabeth Farren shone as Beatrice. Charles *Kemble succeeded as Benedick from 1803, and the play's popularity during the nineteenth century culminated in Henry Irving's *Lyceum revival of 1882, in which Ellen *Terry gave her legendary Beatrice, which she went on playing for a quarter of a century.
The most famous twentieth-century production is John *Gielgud's at Stratford-upon-Avon, first given in 1949, when he did not appear in it, but revived in 1950 with himself as Benedick and Peggy *Ashcroft as Beatrice, and repeated several times during the 1950s.
Much Ado about Nothing has proved to be one of Shakespeare's most resilient plays. Twentieth-century productions have frequently updated the action. Hugh Hunt directed it in modern dress in 1947. Douglas Seale, at Stratford-upon-Avon in 1958, in costumes of about 1851, Franco *Zeffirelli, at the *Old Vic in 1965 in a farcical version set in late nineteenth-century Sicily, John *Barton at Stratford-upon-Avon in 1976 in a setting of nineteenth-century British india with Judi *Dench an unusually serious, and wholly credible, Beatrice, and Terry *Hands, also at Stratford-upon-Avon, in 1982. Susan Fleetwood and Roger Allam played Beatrice and Benedick in Bill *Alexander's production (Stratford, 1990) and Kenneth *Branagh directed a lively and successful film in 1993, playing opposite Emma Thompson as Beatrice. The play was enjoyable in all these varied interpretations. Critics have been troubled by the moral ambiguities of the Hero-Claudio plot, but theatrically the sub-plot characters of Beatrice and Benedick, along with Dogberry and the Watch, have always carried the play to success.
Evolutionary Criticism
domingo, 30 de noviembre de 2014
Evolutionary criticism
Two Facebook groups:
Evolutionary Narratology
https://www.facebook.com/groups/115505095152536/
Narratología evolucionista / Evolutionary Narratology
https://www.facebook.com/narratologiaevolucionista
A website: Joseph Carroll's Publications on Literary Darwinism:
http://www.umsl.edu/~carrolljc/
And some people:
Joseph C. Carroll jcarroll@umsl.edu
Adam Miklosei miklosa@ludens.elte.hu ,
Alice Andrews aandrews@hvc.rr.com ,
Ana Sobral Ana.Sobral@uni-konstanz.de ,
Andy Thomson jat4m@eservices.virginia.edu ,
Anja Mueller-Wood 'wood@uni-mainz.de' ,
Apurva Narechania narechan@gmail.com ,
Kevin S Baldwin KBALDWIN@monm.edu ,
Barbara Lewis barbara.lewis@waitrose.com ,
Bill Zimmerman wfzimmerman@amherst.edu ,
"biopoet@yahoogroups.com" biopoet@yahoogroups.com ,
Blakey Vermeule vermeule@stanford.edu ,
Bob Storey rfstorey@gmail.com ,
Bret Rappaport BRappaport@hardtstern.com ,
Brett Cooke brett-cooke@tamu.edu ,
Brian Boyd b.boyd@auckland.ac.nz ,
Candace Alcorta candace.alcorta@uconn.edu ,
Carl Degler degler@stanford.edu ,
Carsten Koenneker Koenneker@spektrum.com ,
Charles Duncan duncanguitar@hotmail.com ,
Cheryle Jaworski chery2@umbc.edu ,
Clinton Machann c-machann@tamu.edu ,
Dan Kruger djk2012@gmail.com ,
Daniel Barratt d.barratt@yahoo.co.uk ,
Daniel Nettle daniel.nettle@ncl.ac.uk ,
Daniel Tanaka djtanaka1@gmail.com ,
Dave Evans evanspl@sio.midco.net ,
David Barash dpbarash@u.washington.edu ,
David Buss dbuss@psyvax.psy.utexas.edu ,
David Livingstone Smith dsmith06@maine.rr.com ,
David Miall David.Miall@ualberta.ca ,
David Michelson dmichel1@binghamton.edu ,
David Sloan Wilson dwilson@binghamton.edu ,
Denis Dutton constant.force@netaccess.co.nz ,
Dirk Vanderbeke vanderbeke@t-online.de ,
D. L. DiSalvo dldisalvo@yahoo.com ,
Don Brown deb1934@cox.net ,
Don Mahan don.mahan@yahoo.com ,
Michael Shermer DrMichaelShermer@aol.com ,
Dylan Evans evansd66@googlemail.com ,
Edward Slingerland slinger@interchange.ubc.ca ,
Eileen A. Joy ejoy@siue.edu ,
Ellen Dissanayake edissana@seanet.com ,
Ervin Nieves Ervin_Nieves@hotmail.com ,
Fotis Jannidis jannidis@linglit.tu-darmstadt.de ,
Frances Widdowson franceswiddowson@yahoo.ca ,
Francis F. Steen steen@commstds.ucla.edu ,
Frank Miele FMieleX@aol.com ,
Frank Salter FSSalter@aol.com ,
Gad Saad GadSaad@jmsb.concordia.ca ,
Geoffrey Harpham gharpham@nationalhumanitiescenter.org ,
Gerhard Lauer gerhard.lauer@phil.uni-goettingen.de ,
Glen Love rglove@uoregon.edu ,
Gordon M. Burghardt gburghar@utk.edu ,
Griet Vandermassen Griet.Vandermassen@UGent.be ,
Hans Foerstl Hans.Foerstl@lrz.tu-muenchen.de ,
Harold Fromm hfromm@earthlink.net ,
"Horvathon@aol.com" Horvathon@aol.com ,
Ian Duncan iduncan@berkeley.edu ,
Jay R. Feierman jfeierman@comcast.net ,
"jefoy@notes.cc.sunysb.edu" jefoy@notes.cc.stonybrook.edu ,
Jeremy Hsu jmichael.hsu@gmail.com ,
jerry hoeg jhoeg1@yahoo.com ,
Jessica Drew jdrew1@binghamton.edu ,
John Johnson j5j@psu.edu ,
John Knapp jknapp@niu.edu ,
John Tooby tooby@anth.ucsb.edu ,
John van Wyhe jmv21@cam.ac.uk ,
John Whitfield ja_whitfield@btinternet.com ,
Jon Hodgson gladfish@worldonline.co.za ,
Jose Garcia Landa garciala@unizar.es ,
Joseph Anderson josepha@conwaycorp.net ,
Judith Saunders Judith.Saunders@marist.edu ,
Karl Eibl Karl.Eibl@gmx.net ,
Karl Sigmund karl.sigmund@univie.ac.at ,
Kathryn Coe KCoe@azcc.arizona.edu ,
Katja Mellmann katja.mellmann@germanistik.uni-muenchen.de ,
Ken Womack kaw16@psu.edu ,
Kevin Baldeosingh kbaldeosingh@hotmail.com ,
Kevin Cullen kpcullen@gmail.com ,
L. Eslinger eslinger@ucalgary.ca ,
Larry Arnhart TI0LEA1@wpo.cso.niu.edu ,
Lauri Jang laurij@interchange.ubc.ca ,
Leslie Heywood heywood@binghamton.edu ,
Linda Carroll lincar@tulane.edu ,
Lionel Tiger lionel.tiger@worldnet.att.net ,
M. S. Smith M.S.Smith@kent.ac.uk ,
Marcus Nordlund marcus.nordlund@eng.gu.se ,
Maria Bachman mbachman@coastal.edu ,
Martin Bruene martin.bruene@ruhr-uni-bochum.de ,
Mathias F. Clasen mathias@tellerup.dk ,
Max Oelschlaeger Oelsch@prodigy.net ,
Maya Lessov mayalessov@yahoo.com ,
Michael Austin austinm@newmanu.edu ,
Michelle Scalise Sugiyama michelle_scalise@hotmail.com ,
Miguel Conde miguel.conde@oglobo.com.br ,
Mike Fonte mike.fonte@gmail.com ,
Mogens Olesen olesen@hum.ku.dk ,
Nadia Zaboura zaboura@mfg.de ,
Nancy Aiken aikennancy@yahoo.com ,
Nancy Easterlin neasterl@uno.edu ,
Gaspar Nemes nemesgaspar@catv-sonar.hu ,
Nicholas F. Pici nickpici@gmail.com ,
Nick Cavallo npcavallo@yahoo.com ,
Nick Gillespie gillespie@reason.com ,
P.M. Hejl hejl@mefo.uni-siegen.de ,
Craig T. Palmer palmerct@missouri.edu ,
Priyanka Pathak P.Pathak@Palgrave.com ,
Pauline Uchmanowicz uchmanop@newpaltz.edu ,
Pete Swirski pswirski@netvigator.com ,
Peter Bikoulis peterbikoulis@trentu.ca ,
Robert Funk rnfunk@mgc.edu ,
Robert Perchan chorea_97@yahoo.com ,
robin dunbar rimd@liverpool.ac.uk ,
Robin Fox rfox@rci.rutgers.edu ,
Robin Headlam Wells R.Headlam_Wells@roehampton.ac.uk ,
Rudiger Vaas euw@wissenschaft.de ,
Ruth Berger ruth.berger@em.uni-frankfurt.de ,
Catherine Salmon Catherine_Salmon@redlands.edu ,
Priya Shetty priya4876@gmail.com ,
Simone Winko simone.winko@phil.uni-goettingen.de ,
Stephen Davies sj.davies@auckland.ac.nz ,
Steven Brown stebro@sfu.ca,
Steven Pinker pinker@wjh.harvard.edu,
Tamas Bereczkei btamas@btk.pte.hu,
Todd Williams williams@kutztown.edu,
Tom Dolack dolack_thomas@wheatoncollege.edu,
Torben Grodal grodal@hum.ku.dk,
Ursula Goodenough ursula@biology2.wustl.edu,
Wayne Hall HALLWE@ucmail.uc.edu,
William Irons w-irons@northwestern.edu,
Wulf Schiefenhoevel schiefen@orn.mpg.de