The Fruits of Her Labors
The Fruits of Her Labors
Una sátira sobre nuestro mundo de las redes sociales ambientales, posicionamiento web, y la vida mediada por ordenador:
Mae's new feeling of competence and confidence carried her through the week, and given how close she was to the top 2,000, she stayed at her desk late through the weekend and early the next week, determined to crack through, sleeping in the same dorm room every night. She knew the upper 2,000, nicknamed T2K, was a group of Circlers almost maniacal in their social activity and elite in their corresponding followers. The members of the T2K had been more or less locked in place, with few additions or movements within their ranks, for almost eighteen months.
But Mae knew she needed to try. By Thursday night, she'd gotten to 2,219, and knew she was among a group of similar strivers who were, like her, working feverishly to rise. She worked for an hour and saw herself climb only two spots, to 2,217. This would be difficult, she knew, but the challenge was delicious. And every time she'd risen to a new thousand, she received so many accolades, and felt she was repaying Annie in particular, that it drove her on.
By ten o'clock, just when she was tiring, and when she'd gotten as high as 2,188, she had the revelation that she was young, and she was strong, and if she worked thorugh the night, one night without sleep, she could crack the T2K while everyoned else was unconscious. She fortified herself with an energy drink and gummy worms, and when the caffeine and sugar kicked in, she felt invincible. The third screen's InnerCircle wasn't enough. She tuned on her OuterCircle feed, and was handling that without difficulty. She pushed foward, signing up for a few hundred more Zing feeds, starting with a comment on each. She was soon at 2,012, and now she was really getting resistance. She posted 33 comments on a product-test site and rose to 2,009. She looked at her left wrist to see how her body was responding, and thrilled at the sight of her pulse-rate increasing. She was in command of all this and needed more. The total number of stats she was tracking was only 41. There was her aggregate customer service score, whih was at 97. There was her last score, which was 99. There was the average of her pod, which was 96. There was the number of queries handled that day thus far, 221, and the number of queries handled by that time yesterday, 219, and the number handled by her on average, 220, and by the pod's other members: 198. On her second screen, there were the number of messages sent by other staffers that day, 1,192, and the number of those messages that she'd read, 239, and the number to which she'd responded, 88. There was the number of recent invitations to Circle company events, 41, and the number she'd responded to, 28. There was the number of overall visitors to the Circle's sites that day, 3.2 billion, and the number of pageviews, 88,7 billion. There was the number of friends in Mae's Outer Circle, 762, and outstanding Requests by those wanting to be her friend, 27. There were the number of zingers she was following, 10,343, and the number following her, 18,198. There was the number of unread zings, 887. There was the number of zingers suggested to her, 12,862. There was the number of songs in her digital library, 6,877, number of artists represented, 921, and based on her tastes, the number of artists recommended to her: 3,408. There was the number of images in her library, 33,002, and number of images recommended to her, 100,038. There was the temperature inside the building, 70, and the temperature outside, 71. There was the number of staffers on campus that day, and number of visitors to campus that day, 248. Mae had news alerts for 45 names and subjects, and each time any one of them was mentioned by any of the news feeds she favored, she received a notice. That day there were 187. She could see how many people had viewd her profile that day, 210, and how much time on average they spent: 1.3 minutes. I f she wanted, of course, she could go deeper, and see precisely what each person had viewed. Her health stats added a few dozen more numbers, each of them giving her a sense of grat calm and control. She knew her heart rate and knew it was right. She knew her step count, almost 8,200 that day, and knew that she could get to 10,000 with ease. She knew she was properly hydrated and that her caloric intake that day was within accepted norms for someone of her body-mass index. It occurred to her in a moment of sudden clarity, that what had always caused her anxiety, or stress, or worry, was not any one force, nothing independent and external—it wasn't danger to herself or the constant calamity of other people and their problems. It was internal: it was subjective: it was not knowing. (192-94)
A comparar con un clásico que podríamos considerar, quizá, el germen originario del que derivó la visión de la sobreinformación globalizada, de la red social virtualizada, y del control total por ordenación—The Machine Stops, de cuyo comienzo selecciono dos fragmentos:
An electric bell rang.
The woman touched a switch and the music was silent.
"I suppose I must see who it is", she thought, and set her chair in motion. The chair, like the music, was worked by machinery and it rolled her to the other side of the room where the bell still rang importunately.
"Who is it?" she called. Her voice was irritable, for she had been interrupted often since the music began. She knew several thousand people, in certain directions human intercourse had advanced enormously.
But when she listened into the receiver, her white face wrinkled into smiles, and she said:
"Very well. Let us talk, I will isolate myself. I do not expect anything important will happen for the next five minutes-for I can give you fully five minutes, Kuno. Then I must deliver my lecture on “Music during the Australian Period”."
(...)
"The truth is," he continued, "that I want to see these stars again. They are curious stars. I want to see them not from the air-ship, but from the surface of the earth, as our ancestors did, thousands of years ago. I want to visit the surface of the earth."
She was shocked again.
"Mother, you must come, if only to explain to me what is the harm of visiting the surface of the earth."
"No harm," she replied, controlling herself. "But no advantage. The surface of the earth is only dust and mud, no advantage. The surface of the earth is only dust and mud, no life remains on it, and you would need a respirator, or the cold of the outer air would kill you. One dies immediately in the outer air."
"I know; of course I shall take all precautions."
"And besides----"
"Well?"
She considered, and chose her words with care. Her son had a queer temper, and she wished to dissuade him from the expedition.
"It is contrary to the spirit of the age," she asserted.
"Do you mean by that, contrary to the Machine?"
"In a sense, but----"
His image is the blue plate faded.
"Kuno!"
He had isolated himself.
For a moment Vashti felt lonely.
Then she generated the light, and the sight of her room, flooded with radiance and studded with electric buttons, revived her. There were buttons and switches everywhere - buttons to call for food for music, for clothing. There was the hot-bath button, by pressure of which a basin of (imitation) marble rose out of the floor, filled to the brim with a warm deodorized liquid. There was the cold-bath button. There was the button that produced literature. and there were of course the buttons by which she communicated with her friends. The room, though it contained nothing, was in touch with all that she cared for in the world.
Vashanti"s next move was to turn off the isolation switch, and all the accumulations of the last three minutes burst upon her. The room was filled with the noise of bells, and speaking-tubes. What was the new food like? Could she recommend it? Has she had any ideas lately? Might one tell her one"s own ideas? Would she make an engagement to visit the public nurseries at an early date? - say this day month.
To most of these questions she replied with irritation - a growing quality in that accelerated age. She said that the new food was horrible. That she could not visit the public nurseries through press of engagements. That she had no ideas of her own but had just been told one-that four stars and three in the middle were like a man: she doubted there was much in it. Then she switched off her correspondents, for it was time to deliver her lecture on Australian music.
The clumsy system of public gatherings had been long since abandoned; neither Vashti nor her audience stirred from their rooms. Seated in her armchair she spoke, while they in their armchairs heard her, fairly well, and saw her, fairly well. She opened with a humorous account of music in the pre Mongolian epoch, and went on to describe the great outburst of song that followed the Chinese conquest. Remote and primæval as were the methods of I-San-So and the Brisbane school, she yet felt (she said) that study of them might repay the musicians of today: they had freshness; they had, above all, ideas. Her lecture, which lasted ten minutes, was well received, and at its conclusion she and many of her audience listened to a lecture on the sea; there were ideas to be got from the sea; the speaker had donned a respirator and visited it lately. Then she fed, talked to many friends, had a bath, talked again, and summoned her bed. (...)
Homenaje a Gustavo Bueno, La Escuela de filosofía de Oviedo después de Bueno
REDES 300 - El misterio de los orígenes
Punset, Eduard, et al. "El Misterio De Los Orígenes." Documentary. (REDES 300). TVE 2, 2003. Online video. YouTube (Redes, Divulgación y Cultura) 24 Dec. 2012.* (Sheldon Lee Glashow, François Jacob, Stephen Jay Gould, Richard Dawkins, Daniel Dennett, Brian Greene, David Cronenberg, Frank Tipler, Jonathan Weiner, Miguel Beato, Matt Ridley, Lynn Margulis, Harry Jerison, Ilya Prigogine, Nicholas Humphrey, Roger Penrose, Howard Bloom, Joseph Ledoux, Daniel Goleman, Miroslav Radman, Luca Cavalli-Sforza, Antonio Damasio, Lee Silver, Francisco Ayala, José Cibelli, Juan Carlos Izpisúa, Ilya Prigogine, Harold Morowitz).
YouTube (DocuMental) 23 Dec. 2015.*
2017
Retropost (2006): Nuevas antigüedades
Nuevas antigüedades
Publicado en Personales. com. José Ángel García Landa
Después de varios años de decirlo, hoy hemos ido por fin al monasterio de San Pelay. Está en el Paco de Gavín, cruzando el río Sia desde Biescas, en una pequeña llanada con prados que hay en el monte, y que debió ser despejada originalmente por los propios monjes, hace mil años. Pero luego el monasterio se abandonó, y desapareció del mapa y de la memoria, aunque algún documento creo que aludía a él. Cuando yo vivía en Biescas nadie sospechaba su existencia. Hace unos años lo descubrieron, y ahora está a medio excavar. Quién sabe qué otras antigüedades están alrededor, o más bien estarán en el futuro cuando se descubran. Y es que Biescas siempre ha sido un pueblo con culo de mal asiento, cambia perpetuamente a toda velocidad, no sólo en el presente (con una urbanización nueva cada vez que vas) sino también en el pasado. Todo fluye. Ni siquiera el pasado es lo que era. Nada cambia tanto como lo escrito en el Libro de la Historia. Si al menos el futuro se estuviese quieto hasta llegar... pero ni por esas, tampoco el futuro es lo que solía ser, ni en Biescas ni en ninguna parte.
—oOo—
Innecesario Filólogo
martes, 11 de octubre de 2016
Innecesario Filólogo
Soy, semana sí semana no (o semana sí cinco no), el "filólogo más leído" en ResearchGate, cosa que no está mal, pues por ahí se dice que es la red social de investigadores más activa y usada, con nueve millones de usuarios académicos. Entre ellos, es de suponer, habrá miles y miles de filólogos.

Hoy me llega esta notificación. Paradójicamente, o contrastadamente, hoy también me expulsan de la red más numerosa de filólogos (en español) en Facebook, "Los filólogos somos necesarios; que parece que no, pero sí." Bueno, yo allí no soy necesario, eso está claro; al revés que Groucho Marx, jamás pertenecería yo a un club que no me acepte como miembro.
______
P.S. Esta es la explicación que, tras preguntarle, me da uno de los administradores del grupo, Paco López Barrio:
Me gusta · Responder · 55 min · Editado
Paco López Barrio: La decisión la tomamos colectivamente todos los administradores del grupo. No por ninguna opinión, sino por el modo malrollero y nada respetuoso con que solías intervenir. Especialmente cuando se trataba de culturas minoritarias hacia las que nunca te privabas de mostrar tu desprecio. Así que finalmente se decidió tu expulsión.
Ya veo como en otros grupos en los que estás haces una lectura muy sesgada de este hecho. Las hemos leído y nos hemos abstenido de hacer más comentarios. Ya te irán conociendo. Quizá, de haber sabido que te ibas a meter ahora en mi muro, si hubiese dicho algo más.
Dejo esta publicación el tiempo necesario para que puedas leerme. A continuación la borraré y te bloquearé. No tengo nada más que hablar contigo.
Y ahí se quedó Paco López Barrio administrando; que le aproveche. La Academia del Panocho y las de otras lenguas dudosamente existentes pueden contar con su apoyo, y con el de los otros administradores. Aunque de los demás no me consta que sean gente tan iracunda, tan prepotente, y tan reñida con el sentido del humor como el Paco éste.
Tómate unas tilas, Paco, y unas tildes: ´´´´
Más corrupción organizada y delitos electorales del PP
Posicionamiento en Academia
Posicionamiento en Academia
Viendo un poquillo lo que hay en mi perfil en Academia.edu ("el Facebook de los universitarios"), descubro nuevas maneras de consultar el posicionamiento de los académicos. Resulta que te ascribes o te ascriben a diversos campos, según los temas que te interese seguir (en mi caso más de 30: Philology, Literary studies, Narratology, Evolutionary biology, etc.), y aparecen esos en un enlace de tu perfil. Pues bien, yendo a cada uno de ellos, se convierte en un enlace que te lleva a los autores mejor posicionados para ese tema según una combinación de parámetros (número de seguidores, publicaciones, visitas, posicionamiento global, etc.).
Y veo que aparezco en primera página no en otros temas pero sí en Narratología. Bueno, en inglés—en Narratology, véase arriba.
Dando una batida rápida por diversos temas de mi interés, veo que hay pocos autores con un posicionamiento como el mío de "top 0,1 %" global. Y, es más, parece ser la categoría superior: al menos no he visto autores con un posicionamiento superior (del 0,01% pongamos).
Aquí hay también algunos artículos recientes que he encontrado sobre Academia:
Parr, Chris. "Sharing Is a Way of Life for Millions on Academia.edu." Times Higher Education 12 June 2014.*
https://www.timeshighereducation.com/news/sharing-is-a-way-of-life-for-millions-on-academiaedu/2013839.article
Kienc, Witold. "Why I have Started Liking Academia.edu Recently." Open Science 18 March 2015.*
http://openscience.com/why-i-have-started-to-like-academia-edu-recently/
Lynley, Matthew. "Academia, a Social Network for Scientific Studies, Looks to Score the Best Papers." Tech Crunch 4 Nov. 2015.*
https://techcrunch.com/2015/11/04/academia-a-startup-that-hosts-scientific-papers-looks-to-score-the-best-studies/
McKenna, Laura. "The Convoluted Profits of Academic Publishing." The Atlantic 17 Dec. 2015.*
http://www.theatlantic.com/education/archive/2015/12/the-convoluted-profits-of-academic-publishing/421047/

